Review of Beethoven, Mozart & Brahms Piano Concertos (2005)

Maurizio Pollini, Jascha Heifetz and Herbert von Karajan are united by some of the strangest criticisms ever lobbed at artists of their stature: they are too good, too cool, too perfect, too detached, too brilliant, too remote und so weiter. Presumably, perfection is to be striven for but never achieved! George Bernard Shaw once suggested that Heifetz deliberately flub notes occasionally to prove his humanity. I assume Heifetz's eventual demise was proof enough of his mortality, even for Mr. Shaw! Yes, Pollini is a Pianist of remarkable brilliance. But he is hardly remote. And if he doesn't linger over every note with exagerated rubato, tears sloshing over the keys of his Steinway, he does something even more effective. He plays the notes as written! With passion, fire and intelligence. And this two DVD set is all the evidence you'll need.

The first disc presents Beethoven's Third and Fifth Piano Concertos with Mr. Pollini accompanied by the fabulous Vienna Philharmonic under the baton of Karl Bohm. These performances are tight; the VPO sounding gorgeously lush, silky and burnished like a Victorian library with oak-paneled walls and plush velvet chairs. Their sound is unique, attributed to the age and hand-made quality of their instruments. Karl Bohm's funky Landler persona and Maurizio Pollini's Italianate and aristocratic playing are a fascinating mix. They give the Beethoven Concertos a mixture of serenity and power so appealing that I replayed the disc immediately. These performances all date from the late 1970's so Pollini adds some youthful bravado to his interpretation.

The second disc features Mozart's Piano Concertos Nos. 19 and 23. If you know these works, you probably love them as much as I do. These are the only Mozart Concertos Pollini has commited to disc thus far; their rarity heightens the sense of occasion one feels. The VPO under Bohm have these works in their bones, so perfect do they sound! Pollini plays them elegantly, with precision and grace. The crystal clarity of the DTS 5.1 sound highlights the beauty of the woodwinds in these lovely instrumental Operas. I replayed them immediately, as well.

The last work on Disc 2 is the Brahms four movement Second Piano Concerto, conducted by Claudio Abbado. This darkly Romantic masterpiece is given a passionate reading, fiery yet lyrical. Less autumnal than most, it is here that the mixture of Italy and Austria is most evident. The melodic lines are long and song-like; less melodrama than one hears under Von Karajan, for example. Pollini attacks the keys and by the work's conclusion is sweat-soaked. Hardly a lack of passion, if judged strictly on visual evidence! A fine performance of a truly magnificent Concerto.

If replaying DVD's is an indication of how a performance has inhabited one's soul, then this two DVD set has erected a condo in mine! Definitely a self-recommending release. If you respond to superbly aristocratic and (yes) passionate Piano playing, you will probably treasure it as I do. My strong recommendation for an important DVD set from Maurizio Pollini, the Vienna Philharmonic, Karl Bohm, Claudio Abbado and DGG.



Product Description
• A terrific collection of five great piano concertos performed by Maurizio Pollini, one of the 20th centuries great virtuosos. • Filmed with the Vienna Philharmonic in the 1970s at the beautiful Musikverein in Vienna. • Karl Böhm conducts the Beethoven and Mozart concertos, while Claudio Abbado reads the Brahms.

TRACK LIST DVD1: Beethoven: Piano Concerto No. 3, op 37 Piano Concerto No. 5, op 73 "Emperor" Vienna Philharmonic Karl Böhm, conductor DVD2: Mozart: Piano Concerto No. 19, KV 459 Piano Concerto No. 23, KV 488 Vienna Philharmonic Karl Böhm, conductor

Brahms: Piano Concerto No. 2 in B-flat major, op. 83 Vienna Philharmonic Claudio Abbado, conductor

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Review of Beethoven: The Piano Concertos [DVD Video] (2007)

It is instructive to compare these performances to the recently released Beethoven Piano Concertos played by Vladimir Ashkenazy and the Bernard Haitink led London Philharmonic, filmed in 1974. The Ashkenazy Beethoven performances are traditional, with a larger orchestra accompanying the piano, and both unleashing a full arsenal of tricks: extensive vibrato, a profligate use of the piano pedals, slower tempos and broad melodic lines, all of these a 19th Century performance paradigm. The lofty, denser and Romantic Beethoven we hear on those DVDs are no longer considered acceptable for modern performances. Their style was replaced by the lighter, swifter, streamlined Beethoven that we hear in these performances, recorded in September 1989 for the Bernstein led Concertos 3-5 and December 1991 for the Zimerman conducted Concertos 1 and 2. Here we find smaller orchestral forces, buoyant textures, swifter tempos and beautifully elegant playing from Zimerman.

The Wiener Philharmoniker have a unique sound that is especially effective when playing early and middle period Beethoven. Classical era grace, left over from the days of Haydn and Mozart, is a Vienna Philharmonic speciality. Here it produces lovely, elegant Beethoven. Bernstein elicits this elegance from the orchestra while exhibiting uncharacteristic restraint, and in the process, he induces transparent instrumental textures that yield lyrical and evocative performances rather than dense and hefty ones. This lithe and agile Beethoven is very surprising, given Bernstein's uber-Romantisch reputation: it certainly surprised me. The other big surprise is how similar Zimerman's conducted performances are to Bernstein's. Close your eyes and they are hard to tell apart.

All of these performances were filmed soon after Roger Norrington had completed his breakthrough period instrument performances of the Symphonies and Piano Concertos by the end of 1988. Given their revelatory nature and widespread approbation, some influence was inevitable. The Beethoven performances on this 2 DVD set are a wonderful recorded legacy and make a fine sonic monument for Leonard Bernstein, who died a year after his performances were filmed. The 2 DVDs have a total running time of 197 minutes. Sound is available in both the PCM and DTS 5.1 formats, with DTS offering additional space around each instrument and added rear ambiance. The sound is very clear and full, the digitally remastered image is crystalline. There are the usual DGG menus and languages.

If elegant, somewhat restrained but buoyant Beethoven is your forte, you most probably will like these performances a great deal. Strongly recommended.

Mike Birman



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